“Dream of Me”

Set against an almost weightless white space, the blue horse appears less as a physical presence and more as a figure emerging from memory. There is no defined landscape around it, no visible point of departure or arrival. The absence of context allows the horse to exist in a space between reality and imagination, where the boundaries of the tangible begin to soften.

The blue tones introduce a sense of distance and introspection. Rather than suggesting coldness, the color carries something dreamlike — a quiet emotional atmosphere that feels suspended outside of ordinary time. The white surrounding the figure amplifies this feeling, creating the impression that the horse is floating between presence and disappearance.

The idea of dreaming unfolds here through absence rather than action. The horse does not need to move; its existence within the empty space becomes enough to suggest longing, remembrance, or the persistence of an image that remains even when everything else has faded. It becomes something remembered rather than something physically encountered.

In this sense, Dream of Me speaks about the strange space between being present and being remembered. The horse becomes a symbol of something we cannot completely hold onto — a person, a feeling, a moment, or perhaps a version of ourselves that continues to exist somewhere within memory.

The white space does not erase the figure, but gives it room to remain. What emerges is not a dream that asks to be understood, but one that asks to be carried — a quiet presence lingering between waking and sleep, reality and imagination.