“Middle Of Time”

Suspended against a field of warm gold, the horse appears caught within a moment that feels detached from ordinary time. Its lowered head and inward expression create an atmosphere of contemplation, while the surrounding forms seem to exist somewhere between nature and memory. The figure does not appear to be moving toward or away from anything; instead, it occupies a moment of pause.

The golden surface introduces a sense of permanence, contrasting with the dark, organic shapes of the leaves and the flowing mane. Together, they create a tension between what is temporary and what appears to endure. The horse becomes a quiet presence within this contrast, holding the image somewhere between the passing of time and the desire to remain within a single moment.

The idea of being in the middle of time suggests neither past nor future, but the fragile space between them. It is a moment where movement temporarily loses its urgency, allowing perception to become more attentive. The horse seems to inhabit this threshold without resistance, as though time has momentarily slowed around it.

In this sense, Middle of Time is not about stopping time, but about becoming conscious of its passage. The stillness does not deny movement; it reveals it. What remains is a brief, almost suspended awareness — a place between what has already happened and what has yet to unfold, where the present becomes unexpectedly vast.